Even should my master die, I will still tear out the throats of my prey.

–Angelo, 2002: (A Side) Bullet Garden, p. 31

Angelo (アンジェロ, Anjero) is a professional assassin and bodyguard. Born in Spain, he moved to South America and at some point began working for a South American drug cartel. After the events aboard the yacht ship Entrance in 2002, he accompanies Firo Prochainezo to New York and begins working as a bodyguard for the Martillo Family.

Appearance Edit

In 2002: (A Side) Bullet Garden Angelo is described as a man with sleepy eyes, stubble lining his jaw, and tan/brown skin. His clothing is described as "unkempt." He tends to wear blue shades. The businessmen perceive him to be "perhaps thirty years of age" based on his looks. In the same light novel, Firo says he has "dark skin and defined features that make him look like the type who would be popular with women."

Aboard the yacht ship he wears a black jacket over a white shirt, black trousers, and his trademark blue sunglasses.

It is apparently not very hard to tell by looking at him that he's not a man who makes an honest living.

Personality Edit

Angelo is very reminiscent of the old style gunslinger archetype from old westerns - rough, intense, and stubborn to a fault. When his old boss is murdered, Angelo acts to take revenge for his death and reacts in a cold fury in the face of those responsible for the drug cartel's hit.

He is not an indifferent man, and expresses remorse at having dragged others into his own business. He is bitter in the face of betrayal.

He has a policy not to hurt or kill women or children.

Chronology Edit

2002: (A Side) Bullet Garden Edit

Angelo was born in a village in Spain, probably around 1972. A street urchin, he lived in a corner of an alley for much of his childhood. One day, the villagers, who were upset about the homeless "harming the town's aesthetics," hired some officers to "clean up" the alleyways. The officers fired their machine guns indiscriminately into the alleys, killing men, women and children in cold blood. By the time they reached Angelo's corner, however, the officers had run out of ammo – the only reason Angelo had survived that day. It was during that incident that Angelo obtained his first gun, finding it in one of the alleys the officers had neglected to clean up.

Twenty years later, the population of his home village is eradicated, with the exception of the women and children. Many of the villagers were thieves and murderers, according to Angelo, and it is implied that he was the one who murdered them ("I forcibly put an end to this cycle of revenge").

At some point while in Spain he meets and marries his wife. Together they have a son called Carlos, born sometime in the latter half of 1999. He was likely not present for Carlos' birth.

Angelo departs his home country to return to South America (having worked there before) in an unspecified year, and begins working as a bodyguard for a South American drug cartel to earn money (the move outraging his wife). Everything changes when (several days prior to Entrance setting sail) the boss of his drug cartel is killed in a shootout against another organization, having been shot in the back despite Angelo having defeated all of the enemies. The shooter is determined to be a spy.

Angelo and the Demolisher, whom Angelo knows as a freelance killer, take revenge by attacking the restaurant where the Businessmen (thought to be connected to the boss's death) are eating. Angelo enters the building after killing Death (with a sniper rifle) and shoots dead four of the Businessmen (ignoring Illness in spite of the fact that she is aiming at him). He leaps out of a window (the glass of which was presumably already shattered like the others) so that The Demolisher can destroy the building.

He receives a call from Carnea Kaufman, his deceased boss's twelve year old daughter and the new head of the drug cartel. His boss had asked him to "take care of his daughter," an order that Angelo finds annoying. At first he considers bringing her back to his family in Spain, but decides not to after considering his wife's reaction. Angelo's loyalty to his former boss, who had respected his rule not to kill women and children and given him a place to be, means that he feels he has a debt to him, and so Angelo knows he cannot abandon Carnea to the new dangers she now faces. Angelo decides that he will go after 'those bastards', aka the Mask Makers (the ones responsible for this mess) and asks the Demolisher to dig up some info on them.

After the shootout at the restaurant, Angelo travels to the west coast of North America. While sitting in a bar and looking through the window at the Entrance, the cruise ship he plans to infiltrate, he receives a call from The Demolisher (who was the one who had earlier informed him that The Mask Makers were going to take the Entrance to Japan). Angelo states his mission's goal is to find the leader and the employer of the group. After ending the call, Angelo contemplates the fearsome size and capabilities of the Mask Makers and the "one in a million chance...that he would die" (a probability that the narrative points out is actually closer to 50-50) and his thoughts turn to his soon to be three year old son Carlos, whom he has never met in person. His thoughts conclude on the idea that he'll nab one of the masks as a souvenir and take his wife and son to Venice on vacation.

Once upon the yacht ship Entrance, Angelo is walking down a hallway when Czeslaw Meyer bumps into him. Noticing Czes' fear, Angelo smiles faintly and apologizes for not looking where he was going. Czes apologizes in turn but Angelo tells him not to worry about it and continues on his way towards the lower decks, where the cheaper suites are located (and presumably his own). Later, Angelo makes his way to the casino on deck after leaving the door to his cabin ajar per The Demolisher's instructions. Observing Firo Prochainezo's impressive gambling skills, Angelo takes a seat beside him at a card table and challenges him to a one-on-one match. Firo agrees to the match, and Angelo shuffles the deck, slipping a card up his sleeve. He places the stolen card on the top of the deck after he finishes shuffling, a move that Firo interprets as deliberately done so Firo would notice. When Firo shuffles the deck he drops a card on the floor, which Angelo picks up and slips into his sleeve.

Though the game is a "neck and neck battle of wits," Angelo "absurdly" loses with a bust and congratulates Firo on his victory (which the narrative implies is a purposeful loss on Angelo's part). Angelo introduces himself as a man who works with "international exports" and offers to buy Firo a drink back at his cabin as an apology, since Firo's winnings are higher than the amount of chips that Angelo possesses (an invitation he intended to extend from before the match). Firo accepts and Angelo accompanies him back to his own cabin. Upon reaching Angelo's room Angelo receives a call from The Demolisher, who reveals that he saw him at the casino with Firo and that he left Angelo a present in his cabin, which he couldn't have done had Angelo not followed his instructions like he'd asked. Angelo, aware that Firo can hear him, keeps his own replies innocuous and unrelated to what he is hearing. After the call ends, Angelo (who claims he is conversing with an 'uncle') leads Firo into his room, and as they sit down at a round table he offers to pour him a drink from the liquor he had in a wooden box (the gift in question).

Angelo then asks Firo if his restaurant business (Firo had introduced himself as a restaurant manager) is known by the name "Mask Maker." Firo's silence (despite lasting for only a few seconds) confirms Angelo's suspicions and he draws a black handgun with red and gold decorations, demanding that Firo disclose all he knows about the Mask Makers and his 'boss' -- the man who ordered the death of Angelo's own employer. Firo decides to try and force the barrel of the gun down, but as soon as he moves Angelo fires his gun (the noise muffled with a silencer), shooting Firo in his shoulders and legs. Before Angelo can start his interrogation, Firo regenerates to which Angelo (instead of panicking) simply asks what Firo is. Angelo explains that he had been planning on listening to Firo in the beginning, and had only fired because Firo went for his gun--which he now lowers. Firo asks Angelo for a favor before disclosing what he knows; the favor is that Angelo tell Ennis and Czeslaw Meyer that Firo was shot in a tough fight. Angelo answers that he understands and will trust him, and promises him that as an apology for shooting him Angelo will tell his family that Firo was "a courageous and skilled warrior." He lets Firo return to his own cabin.

The next day Angelo meets with Firo, Ennis, and Czes on the lowest floor of the shopping mall on deck and apologizes to Ennis for the bullet holes in Firo's clothes the previous night. Firo has agreed to help Angelo with reconnaissance (and nothing else) and the two begin discussing their plan of action, eventually moving along with Ennis to a nearby café, where they drink coffee while conversing. Firo and Ennis spot Claudia Walken on the other side of the nearby fountain; the fact that they know her is something that Angelo is a little envious of. As it turns out, Claudia and Charon Walken are scheduled to promote their movie that day on the event stage near the fountain. Angelo scans the room, checking to see if any of the Mask Makers have shown up. A minute later, Bobby Splot arrives dressed in Charon's costume, "The Gear" (his identity unbeknownst to the others).

Angelo shoots from behind Firo.

Two of the Mask Makers who had attacked the restaurant back in South America take a seat at the table next to Firo, Ennis, and Angelo. Angelo recognizes them and surreptitiously alerts Firo and Ennis to their presence. Once the Mask Makers stand, Angelo prepares to follow them to the second floor only to be thwarted by the arrival of Illness, who loudly identifies him as "the awesome gunman from the other day." Angelo and the two Mask Makers draw their guns, and both sides fire almost simultaneously. Angelo manages to shoot the shoulders of both cult members after they fire, and just before their bullets reach Angelo's forehead Firo lunges in front of him, the bullets burying themselves in Firo's shoulder. The fountain area is plunged into chaos as passengers flee in panic. Members of the Mask Makers in the crowd begin a counterattack, and Angelo follows Firo and Ennis into the café for shelter.

Inside the café, Angelo (the only one armed out of the three) apologizes for dragging Firo and Ennis into a shootout and inquires as to how Firo's shoulder fairs. Apologizing again, Angelo quickly pokes his head and arm out around the wall of the café and fires multiple times at one of their assailants, aiming for the man's arm rather than killing him outright. Firo thinks "it was almost insanity to aim for the arm with a handgun in this situation, but carrying out such an action meant that Angelo was already far beyond normal levels of competence." Angelo explains that he didn't want them to die instantly, and Firo in admiration replies that he is tempted to hire Angelo as a bodyguard on the spot. To this, Angelo responds that he had already sworn his loyalties to his boss.

The shootout continues for several minutes, during which time Angelo injures or kills several of their attackers. However reinforcements arrive in a constant flow, replacing the deceased--thus negating any dent Angelo had made in the original numbers. He continues to "coldly...shoot them down." Suddenly, a deafening noise rings out through the mall, announcing the arrival of a newcomer - a "shadow holding an assault rifle" standing in front of a luxury boutique. Firo asks Angelo who the newcomer is, and though Angelo doesn't know, he realizes that the 'shadow' was dressed like Illness and Death were back at the restaurant (in a combat suit).

As Angelo and the others observe the 'shadow's' movements, Angelo receives a call from the Demolisher, who admits that he's still watching Angelo. The Demolisher asks what he is doing with Firo. Angelo asks in turn if the Demolisher can provide them with any support regarding the newcomer, and The Demolisher replies that yes he can, since there are no "civvies" around. A perturbed Angelo attempts to question him but he's immediately cut off by a loud explosion rocking the hull. The fourth floor, where the boutique stood, has been destroyed.

Firo turned to Angelo for answers and Angelo, clearly disturbed says that the Demolisher "told [him] not to worry...because he's set up explosions like this all over the ship." Firo suddenly spots the Gear by the fountain. Thinking Charon is inside, he rushes over to the Gear's side, ignoring Angelo and Ennis' exclamations. Angelo and Ennis wait there for Firo to return, and when he does he brings The Gear and a girl dressed in a shark costume with him (she was shell shocked from the explosion). Angelo immediately recognizes her as Carnea Kaufman, and when Carnea regains her senses a few moments later she gets to her feet and envelops Angelo in an embrace. Reeling from shock, Angelo asks Carnea how in the world she had ended up on the Entrance. He refers to her as 'Boss,' shocking Firo, Ennis, and Bobby.

2002: (B Side) Blood Sabbath Edit

The beginning of Blood Sabbath establishes that Angelo has made several miscalculations concerning his plan to corner the Mask Makers on the ship. One was that the Mask Makers are not on vacation after all, given they have boarded the ship armed. The second miscalculation is the series of coincidences that had led to the mass shoutout. The third is that the Demolisher had installed explosives on the ship. And the final mistake was Carnea Kaufman.

The group confers in the café.

In the café, Angelo informs Firo that there are only three official members surviving of the drug cartel he was working for. Letting out an "uncharacteristic, bitter laugh," he introduces Carnea as the Boss of his organization. Firo observes that Angelo, who is breaking out in a cold sweat, was "incomparably more shocked than when he had seen Firo's recovery" at this new development. Angelo implores Carnea to tell him how she got on the ship, and why. Carnea replies that she didn't want to see him and others be hurt because of her, a sentiment Angelo labels as foolish. As for how, Carnea confesses to having stowed away on the ship, and that it was the Demolisher who had smuggled her into the States and onto the ship with the promise that if she were around, Angelo would not start any gunfights on the Entrance. Angelo calls him a bastard, and his cold fury is such that it not only overwhelms Carnea, Firo, and Ennis but elicits a soft scream from Bobby. At the sound, Firo turned and asks Bobby (still dressed as The Gear) to identify himself. Bobby lies and says that he is Charon's stuntman.

The group make their way to Angelo's cabin, where they discuss their next course of action. Once the plan is finalized Angelo heads to the shopping mall at sunset, wearing his sunglasses despite the dim lighting. He stops and raises his gun, aiming it at a shadow hanging from the second floor which he knows to be Illness. Illness asks him how he knew she was here ("I had a feeling," he says) and reminds him of his policy not to kill women and children. Snickering, she fingers her submachine gun and posits that if she is to shoot him now, he'll likely die. Angelo merely grins and offers a one-off line as a response.

Illness, curious, wonders why Angelo follows such a policy in the first place and Angelo recounts the incident with the officers that had happened back when he was a child, the officers who killed "without any mercy for women and children." However Angelo continues "the reason I don't kill women and children...isn't my own little way of revenge, or anything like that. ...It's just my own stubbornness, and my pride as a gunman." Illness, unsatisfied, demands to know if he even wants to take revenge, to which Angelo replies that he already has. He lets her know her what had happened to the village twenty years later, implying that he murdered the men of the village while sparing the women and children.

Illness starts trembling and Angelo continues talking without looking at her, stating that he isn't "bragging about [his] misfortunes" and that it doesn't matter whether or not Illness has been through worse than him (or vice-versa). The only thing that matters, he concludes, is the fact that "you and I are here and there, each holding our weapons."

Illness decides to pull the trigger, but before she can Czeslaw emerges from the shadows and implores Angelo not to shoot him, citing his policy not to shoot children. Illness, recognizing him from their previous conversations, identifies him by name. At this, Angelo interrupts and asks Czes if he is Firo's "little brother." Angelo soon calls Firo and informs him that he's found Czes, and that Czes knows where Claudia is (Firo had been looking for Claudia as well as Czes).


Angelo and Luchino confront "Life," aka Fermet.

At some point, Angelo separates from Czes and Claudia and goes off in search of the Demolisher. Over thirty minutes later, presumably having made an agreement with Illness and the others, Angelo shows up in front of the surviving Mask Makers on the ship Exit. The leader of the Mask Makers, Luchino B. Campanella ("Rookie") has handcuffed together the hands of a Mask Maker called Life, informing Life that he just wants to confirm something.

At Angelo's appearance, Life squirms and asks what is going on. His associates – Aging, Luchino, and the other survivors – say nothing. Angelo approaches Life and removes his goggles, saying cryptically with a melancholy look in his eyes that Life ought not to act like a stranger--after all, he and Life know each other quite well. He proceeds to accuse Life of being the Demolisher. Life cackles in response, sneering that Charon must have alerted Angelo's suspicions.

Following the Demolisher's admission that he and Life are the same person (thus working simultaneously for opposing sides), Angelo bows his head quietly and asks if the Demolisher was the one who shot Carnea's father, his former boss. The Demolisher plays dumb, asking Angelo "what do you think?" Angelo grinds his teeth, turns and walks back to Entrance with "surprising calm," informing the surviving Mask Makers that the Demolisher's fate is in their hands. When asked if he is alright with that, Angelo announces that his boss Carnea had cried and asked him not to kill anyone anymore, and with a "strangely satisfied look on his face" he cites his policy not to kill women and children (referring to the fact that Luchino is a minor).

Some time after the events upon the sister ships Entrance and Exit, Angelo arrives in New York and visits the Alveare at Firo's suggestion (dressed all in black and wearing his trademark blue shades), needing a place to hide after the incident – the drug cartel had essentially been destroyed, and he cannot return to his hometown until the cruise ship incidents are thoroughly investigated. There, he immediately turns to Maiza Avaro (who looks like the one with the greatest authority in the room) and explains that Firo has introduced him to the Martillos. He asks if they have any need for a bodyguard.

The alert atmosphere changes to one of good cheer and welcome, and Angelo is immediately bombarded with questions and opinions by the Martillos who realize he is the gunman Firo had told them about. Angelo is taken aback at such an atmosphere, which is different from the 'normal' criminal organizations he was used to. Angelo realizes that this was the sort of organization that "made Firo into what he is" and smiles "bittersweetly."

When Angelo finally speaks, he says that he is taking care of "an acquaintance's daughter" (Carnea) and is hoping the Martillos can help find him a safe place for her to stay.

Abilities Edit

Angelo is an excellent shot, able to fire a gun with speed and accuracy so remarkable that the shots "almost appeared to be drawn to their targets." Angelo does not attribute his success to some special skill, however. He attributes his skill to pure experience, and that he "happened to have survived this far."

He is also very good at card games, or rather, cheating at them (or both).

Quotes Edit

"I have no intention of bragging about my misfortunes. I'm sure you have your own past to contend with. Whether or not you've been through worse than myself is a trivial matter. Some people in this world die of starvation before they even have a drink of water. Others live unfortunate lives even if they have food, shelter, and a family. Happiness and misfortune--neither are ever significantly important, and they aren't reason enough for people to survive through bloodbaths."  - Angelo to Illness, 2002: (B-Side), p. 192.

"I am not a guard dog. I am a hound." - Angelo, 2002: (A-Side), p. 31.

Trivia Edit

  • Angelo has a policy to not harm or kill women and children.
  • Angelo has a wife and a son named Carlos ("turning three" in 2002), who lives back in Spain.
    • He has yet to meet his son in person.
    • Angelo had originally turned down the woman who was to eventually become his wife out of the feeling that he "had no right to pursue happiness." However, she proved tenaciously formidable, and won him over (apparently her skills with a kitchen knife are lethal).
  • It is highly likely that Angelo's son is the same person as the young gunman Carlos, a character from one of Ryohgo Narita's other light novel series, Etsusa Bridge.
  • It is implied that Angelo won his first shootout because his opponent tripped over a corpse.
  • When the Businessmen accuse him of acting like Chuck Norris in Hitman, Angelo replies that he thinks of himself as "more of a John Wayne."
    • To this, the Businessmen respond that he is more Antonio Banderas than John Wayne, which can probably be considered the most accurate of the three comparisons, since the narrative compares Angelo and Banderas throughout the novel.
    • On the topic of comparisons, the narrative and Angelo himself have compared him to a hound.
      • His impressive accuracy with a gun has led him to be compared with a shark: "He had become an object of fear, sometimes likened to a man-eating shark who could track the scent of blood."
  • Of all of Claudia's films, The Wild Dog is Angelo's favorite.

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